Samira Said, requirements of the scene oblige it, made more than mark. She raised herself, by means of doggedness, on the first rank of the stars of the Arabic song, and remains there for years strengthening in every new album a position which does not seem ready to leave.
The road seems to have been drawn by any times. Promising first steps, striking meetings, notably those of Baligh Hamdi, Abdelwahab, Mohamed El Mougi, Sayed Mekaoui as well as Faïza Ahmad and her husband Mohamed Soltan, and here is Samira who lands in Cairo, strong of immense talent and encouragements of those who had believed in her.
After a passage to the conservatoire, they are the first works. her friend Faïza Ahmad asked of Mohamed Soltan to sign two songs for Samira they were " El 7ob elli Ana 3aycheh " and "Eddounia Kedah" who, even if they were not big successes, allowed Samira desquisser her first marks on the scene of the Arabic music.
The meeting with Baligh Hamdi was considerably going to enrich the directory of the Moroccan young person, by composing her songs like: " Ben lif ", " sayidati sadati ", " malich 3enwan ", " akher hawa ". Another meets with Mohamed Soltane by Hikaya, Methaya' li, ellila di, kassid yakoulouna 3anni kathiran.
Till now she still searsh the explosive tube, she worked with Mohamed El Mougi (ya dam3iti haddi) Khaled El Amir by Choft 7abibi, Helmi Bakr by lilet el ouns, ech gab li gab, amrak 3ajib, men ghir sabab. but she still searsh the point.
It is Baligh Hamdi who finally composed to Samira the magnific song " 3allemnah el Hob ", who she presented it counting for the festival of layali al television in Cairo in 1983.
After this song Samira became star among the first stars in Egypt and she continued with Baligh by " ketre el kalam " song " asmar malak, malak moch zay 3awaydak "
Later Samira worked with Gamal Salama who composed her the bomb "al gani ba3d youmine" with whom dominated during a very long period the Hit-Parades. The new couple does not stopthere, rather they presented another bomb it was moch 7atnazel 3annak Abadan.
After that, Samira and after these big successes had to prove nothing more in Egypt. Another challenge was outlined that the position of the great star did not allow her to darken.
She will make cap on the Bay where she will work with the biggest: Talal meddah, Abderrab Idris, Seliman El Malla, Youssef Mahana and will enrich its directory of titles as "Ya ebn al Halal", " tisaddeg, Hatouli 7abibi ", " sindibad ", " ghariba ", " A7ad sa'al 3anni".
During the years 90 Samira turns to the modern song and to the young composers full of talent like Salah Charnoubi, Riadh Hamchari, Mohamed Dhia' has indicating albums as Ensani, Khayfa, 3ach2a, Enta 7abibi, Kol di echa3at, 3al ball, rou7i and Lila 7abibi The others were for their expenses. But for Samira, the success is once again for the meeting. And encha'allah she continues her successes to stay on the top. Always on the top!
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